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Post by Admin on Sept 9, 2013 10:22:04 GMT -5
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Post by earleg on Sept 11, 2013 0:11:27 GMT -5
Blue Note and Impulse, then also Riverside and Prestige. Think it would be a coin toss between Impulse and Prestige here.
Which ones for you Jim?
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Post by tom1960 on Sept 18, 2013 7:02:27 GMT -5
Seems to me you couldn't go wrong with Blue Note when I first began listening to jazz music. There releases were the real deal. Always solid stuff. What I especially enjoyed about the label was that a lot of the guys played on each others sessions. If you admired ones playing on a particular session, there was a very good chance he played on many other dates. In fact he may have led a few dates of his own. That's probably why I also enjoy the Criss Cross label, a modern version of Blue Note. They seem to follow the same play book as Blue Note once did.
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Post by Admin on Sept 18, 2013 8:21:20 GMT -5
Thanks Tom. I hadn't heard of Crisscross before.
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Post by billf on Dec 9, 2013 13:58:16 GMT -5
Criss Cross, Reservoir and Sharp Nine have done a great deal to keep the flame burnin'.
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Post by muddylives on Dec 9, 2013 14:48:42 GMT -5
Don't forget SteepleChase. That label left us a goldmine of music from the 70s, much of which came from masters who might otherwise have gone unrecorded: Von Freeman, Bill Barron, Duke Jordan, Bill Hardman, Chet Baker, Dexter Gordon, Walt Dickerson, Paul Bley, Clifford Jordon, Kenny Drew, Tete Montoliu, Junior Cook, Jackie McLean, etc.
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Post by poetrylover3 on Dec 10, 2013 4:54:13 GMT -5
Blue Note, Verve. Norman Granz preserved Billie Holiday & Charlie Parker, Dizzy Gillespie not to mention the JATP stable of musicians including Ella and Oscar Peterson. Blue Note's catalog includes some of my favorite dates by Dexter Gordon, Monk, Bud, Sonny. Then there's the Emarcy catalogue and the Fantasy/Prestige/Milestone/Riverside/ Concord stable of sessions. Naturally, I need to mention my gratitude for Mosaic reissues. The mid 70s saw the unfortunately short-lived MUSE label.
I don't really consider Columbia a jazz label after the 30s, but an umbrella or "big tent" company.
When I listened seriously to jazz in college, I collected Prestige & Milestone "two-fers" and other relatively inexpensive reissues. Today, when I can afford it, I buy Mosaic box sets. For my bargains, it's Properbox, AVID, and Real Gone Jazz, House of Jazz.
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Post by Admin on Dec 10, 2013 7:25:23 GMT -5
All really great labels, but Delmark seems to be an up and coming label for newer jazz artists like Eric Alexander. Delmark Catalog
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Post by muddylives on Dec 10, 2013 8:18:52 GMT -5
Delmark was also the key label in the 60s for documenting the emerging avant garde jazz scene in Chicago.
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Post by tom1960 on Dec 10, 2013 13:59:12 GMT -5
Criss Cross, Reservoir and Sharp Nine have done a great deal to keep the flame burnin'. I should be embarrassed not to have mentioned Reservoir like my good friend Bill has. A have quite a number of there releases and the owner of the label happens to live a few blocks away from me. I consider him a friend.
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Post by tomd on Dec 19, 2013 16:24:12 GMT -5
Tom, Hasn't Reservoir stopped releasing new recordings? I remember a past discussion on another forum, where I got the impression the label was pretty much liquidating (sadly)...
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Post by tom1960 on Dec 19, 2013 19:49:20 GMT -5
Tom, Hasn't Reservoir stopped releasing new recordings? I remember a past discussion on another forum, where I got the impression the label was pretty much liquidating (sadly)... Mark, still carries most of the catalogue except for perhaps a few titles. I seem to remember that I had to order the Ralph Moore disc "Round Trip" through Amazon. As for new releases, those days are done.
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